Movie Stories
Attintlo Adde Mogudu Story
The film begins with an unemployed guy Gopi, consisting of a flawed unmethodical family: avaricious parents Subba Rao & Durgamma, vain brother Vijay, termagant sister Kanchana, and simpleton Bhaja Govindam. The only one who showers endearment on Gopi is his sister-in-law Sarada, whom he adores. Parallelly, she receives constant torment from Durgamma & Kanchana. Once Gopi acquaints himself with a misandrist, Jhansi, in a squabble. Whereat, her father, GM Rao, gazes at Gopi’s virtue, designates him with a post, and pleads with him to turn Jhansi’s attitude. Next, he moves to a camp when Durgamma nags Sarada to access cash for Vijay’s promotion from her nucleus. Knowing it, her ailing mother Susheelamma raises the fund, divesting completely, and succumbs. The callous family deserts her funeral when Sarada exits with her daughter Pinky. Following this, she attempts suicide and is declared dead. Nevertheless, the family is apathetic towards their demise and nonchalantly arranges Vijay’s re-nuptial with Sony, the daughter of tycoon Dwaraka Prasad. After returning, Gopi is shattered by consciousness of the fatality and quits detesting his family. Soon, he is overjoyed to spot Sarada & Pinky alive, whom Jhansi shields.
Gopi now vows vengeance and starts a comic play with Jhansi’s aid. As a newly wedded couple, the two shams set foot in their house and mock them. Amidst this, Jhansi develops feelings for Gopi. Accordingly, they catch Vijay with Sony, who transforms through her mortifications and perceives Sarada’s worth. As a glimpse, Kanchana also bows down to Bhaja Govindam’s honesty. Thus, the children castigate the baneful behavior of the elders and expel them. At last, Sarada arrives, allowing her in-laws back in once they comprehend her eminence. Finally, the movie ends with Gopi & Jhansi’s marriage.

Director: Relangi Narasimha Rao
Cast (highlights): Rajendra Prasad, Nirosha
Genre: Comedy (remake)
Notability: Sri Rajeeva Productions; music by M. M. Keeravani; remake of Hindi ‘Ghar Ho To Aisa’ (1990); running time 129 min; recorded as a Hit.
Critical Reception: Contemporary trade and later writeups list it as a Hit; praised for RP’s comic timing.
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